Hollie Joy Copeland
Abbotsleigh
ACCRETION AND ABRASION
Printmaking
Lino, etching, carborundum, rusted steel
Accretion and Abrasion pays homage to the natural beauty found in deteriorating surfaces as they evolve over time. Inspired by my observations of rust and erosion on my family property in rural NSW, 'Glengarry', my body of work layers organic rust prints, etching, lino, carborundum and monoprints. I used these printmaking techniques to represent the cyclical accumulation of layers and wearing away of materials in both the natural and industrial realms. My intention is to raise awareness of the intrinsic artistry and beauty of these natural processes.
My artmaking practice has been influenced by the study and interpretation of the following artists: Allan Mitelman, Fred Williams, Tiffany Hokanson, Anthea Boesenberg.
Marker's Commentary
Accretion and Abrasion emphasises the agency of nature, highlighting the vitality of non-human materials and their ability to transform as well as impact upon the world independently. Accretion and Abrasion is a visual exploration on how natural elements like tree bark and rust create abstract forms autonomously, highlighting their unique presence. These natural imprints, captured through intaglio and collagraph techniques, are seen not just as passive records but as active participants in the ecosystem. The mark-making focuses on the inherent creativity of nature, challenging traditional human-centered views of art. It suggests that natural phenomena possess their own form of agency, capable of interacting with and influencing the artist. This perspective shifts the role of the artist from creator to collaborator, innovatively recognising the self-generating processes of the natural world.
The dual themes of growth and decay are evident in these prints, through the juxtaposition of rust and accretion, metaphorically addressing the existential consideration of life and death. The technical innovation of the prints and the use of photographic imagery further reinforce the idea that nature, as artistic matter, has the power to shape and reshape what is seen and understood. This work validates the vibrant creativity of the natural world, positioning the artist and nature as equal partners in the creation of this body of work.